Raspberry Pi Revisited

When the Raspberry Pi 2 was released I certainly got curious. Would it be really better than it’s little brother? As soon as it got available in The Netherlands I bought it and sure this thing flies compared to the Raspberry Pi 1. The four cores and 1GB of memory are certainly an improvement. The biggest improvement though is the shift from ARMv6 to ARMv7. Now you can really run basically anything on it and thus I soon parted from Raspbian and I’m now running plain Debian Jessie armhf on the RPi.

So is everything fine and dandy with the RPi2? Well, no. It still uses the poor USB implementation and audio output. And it was quite a challenge to prepare it for its intended use: a musical instrument. To my great surprise a new version of the Wolfson Audio Card was available too for the new Raspberry Pi board layout so as soon as people reported they got it to work with the RPi2 I ordered one too.

 

http://community.emlid.com/t/raspberry-2-realtime-kernel-image/112/12

Cirrus Logic Audio Card for Raspberry Pi

One of the first steps to make the device suitable for use as a musical device was to build a real-time kernel for it. Building the kernel itself was quite easy as the RT patchset of the kernel being used at the moment by the Raspberry Foundation (3.18) applied cleanly and it also booted without issues. But after a few minutes the RPi2 would lock up without logging anything. Fortunately there were people on the same boat as me and with the help of the info and patches provided by the Emlid community I managed to get my RPi2 stable with a RT kernel.

Next step was to get the right software running so I dusted off my RPi repositories and added a Jessie armhf repo. With the help of fundamental the latest version of ZynAddSubFX now runs like charm with very acceptable latencies, when using not all too elaborate instrument patches Zyn is happy with an internal latency of 64/48000=1.3ms. I haven’t measured the total round-trip latency but it probably stays well below 10ms. LinuxSampler with the Salamander Grand Piano sample pack also performs a lot better than on the RPi1 and when using ALSA directly I barely get any underruns with a slightly higher buffer setting.

I’d love to get Guitarix running on the RPi2 with the Cirrus Logic Audio Card so that will be the next challenge.

Raspberry Pi Revisited

Packaging Python Stuff

While packaging Tuna I ran into an issue for which I couldn’t easily find a workaround on the ubiquitous search engine. Tuna depends on some unavailable Python applications so those had to be packaged too. After having successfully tested the packages locally with pbuilder I uploaded them to Launchpad and noticed that they failed to build. Apparently the Python installer setup.py wants to install in /usr/lib/python2.7/site-packages and while that worked fine locally with pbuilder, Launchpad had an issue with that:

Found files in /usr/lib/python2.7/site-packages (must be in dist-packages for python2.7).
debian/python-schedutils/usr/lib/python2.7/site-packages
debian/python-schedutils/usr/lib/python2.7/site-packages/schedutils.so
debian/python-schedutils/usr/lib/python2.7/site-packages/schedutils-0.4-py2.7.egg-info
dh_builddeb.pkgbinarymangler: dpkg-deb --build debian/python-schedutils .. returned exit code 1
make: *** [binary-arch] Error 1
dpkg-buildpackage: error: /usr/bin/fakeroot debian/rules binary-arch gave error exit status 2

Apparently the files had to be installed in /usr/lib/python2.7/dist-packages but how to instruct the installer to do so without having to resort to ugly hacks? As I couldn’t find any useful answers on the web I asked falkTX on #kxstudio. He said the setup.py installer has a flag to install to dist-packages instead of site-packages, --install-layout deb. So I added that to the debian/rules file and gave it another spin:

#!/usr/bin/make -f
# -*- makefile -*-
# Sample debian/rules that uses debhelper.
# This file was originally written by Joey Hess and Craig Small.
# As a special exception, when this file is copied by dh-make into a
# dh-make output file, you may use that output file without restriction.
# This special exception was added by Craig Small in version 0.37 of dh-make.

# Uncomment this to turn on verbose mode.
#export DH_VERBOSE=1

%:
        dh $@

override_dh_auto_build:
        python setup.py build

override_dh_auto_install:
        python setup.py install --skip-build --prefix /usr --root $(CURDIR) --install-layout deb

Now both pbuilder and Launchpad built the package without any issues.

Packaging Python Stuff

Downscaling and upgrading

For years I’ve used Focusrite Firewire interfaces, first the Saffire Pro 10 IO and after that its successor, the Saffire Pro 40. Both great devices but recently I decided to make the switch to USB. The reason was twofold:

  • I was barely using more than 2 ins or outs simultaneously
  • Firewire is being phased out and my notebooks don’t have any Express Card slots either, only USB ports
  • The Pro 40 isn’t very portable

So when switching to USB I would need:

  • Same or better quality preamps and AD/DA convertors
  • At least 2 ins and outs
  • Portability
  • Possibility to achieve similar latencies as with the Pro 40
  • Works well with Linux

This narrowed down the choice significantly. I could go for a Focusrite Scarlett but from what I found on the net there were some issues with these devices. I’ve also looked at some Presonus devices but actually I had already set my mind on a different device: the RME Babyface.


RME Babyface

So when I found a webshop that offered the Babyface at a reduced price (almost 15% off) I put my Focusrite up for sale and bought the Babyface. The Focusrite was sold within a week and the Babyface easily met my expectations:

  • When in CC (Class Compliant) mode it works out of the box
  • It’s highly portable, the Babyface is actually specifically made for this purpose as it comes with a nice pouch
  • It has 2 ins and outs and the great thing is that it’s possible to extend the IO via ADAT
  • The preamps and AD/DA converters are simply top notch, they’re so good that I’m considering switching cans and studio monitors as this device is merciless, it simply doesn’t work well with my current setup
  • When connected to an USB3 port (XHCI) the Babyface can run with nominal latencies of 0.5ms (this is with 8 samples), i.e. it beats the other two OS’s mentioned on the RME product page

I can live with not being able to control the device from within Linux, almost all settings can be done on the device itself. Upgrading the firmware can be done with a VM so that’s covered too. The only real drawbacks are that it’s an USB device so it’s a bit more picky with regard to your system setup and it consumes a bit more CPU compared to Firewire. But all in all this is a great sounding device that works well with Linux when in CC mode and it fits my specific user case very well.

Downscaling and upgrading

The Infinite Repeat – Cala Del Aceite

Finally got around finishing a new track. And it’s just 65BPM so no four to the floor this time. I posted the demo a while ago, this is more or less a definitive version (definitive is a fluid term in my dictionary).

http://theinfiniterepeat.com/music/the_ … aceite.ogg

This song is about one of the most beautiful places I know on this
planet, Cala Del Aceite in the most southern part of Spain:

http://www.conilplaya.com/fotos/playasd … eConil.htm

Tools used:

  • Qtractor for recording and mixing
  • seq24 for sequencing
  • The necessary plugins:
    • drumkv1 to hold the drum samples (drum samples are all from
    • http://samples.kb6.de/)
    • a lot of plugins that are part of Distrho or Carla: Noize Maker, Tal
    • Reverb III, ZynAddSubFX-LV2, Nekobi
    • MDA subsynth
    • FluidSynth DSSI for the Rhodes
    • linuxDSP plugins (EQ500, DYN500, MBC2B on the master bus)
    • Calf Vintage Delay
    • LADSPA comb filter, Fast Lookahead Limiter
    • GxZitaReverb

The background vocals for the choruses are sung by my wife. The ocean
sample is from Freesound:

http://www.freesound.org/people/dobroide/sounds/93653/

Cádiz is pretty close to Conil, hence the choice.

Thanks to everyone for making this possible. Especially falkTX and rncbc, couldn’t have done this without your valuable work.

Making promises that I can’t keep
It’s pushing me, pushing me into a deep
State of sadness, state of doubt
A state of awareness I can’t live without

Making mistakes, so hard to bear
It’s driving me, driving me to a point where
I can’t escape, I can’t shy away
From the daemons I refuse to obey

All is forgiven, all is well…

Awaiting the day that I’ll be relieved
From this burden, this burden that has grieved
So many loved ones, so many friends
All the people on which I depend

Stand up, act now, it’s time for a change
Lingering won’t help, help to rearrange
The current imbalance, the current state
Of things so rush now don’t hesitate

All is forgiven, all is well…

Creative Commons License
Cala Del Aceite by The Infinite Repeat is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

The Infinite Repeat – Cala Del Aceite

Wolfson Audio Card for Raspberry Pi

Just ordered a Wolfson Audio Card for Raspberry Pi via RaspberryStore. I asked them about this audio interface at their stand during the NLLGG meeting where I did a presentation about doing real-time audio with the RPi and they told me they would ship it as soon as it would become available. They kept their word so I’m hoping to mount this buddy on my RPi this very week. Hopefully it will be an improvement and allow me to achieve low latencies with a more stable RPi so that I can use it in more critical environments (think live on stage). It has a mic in so I can probably set up the RPi with the Wolfson card quite easily as a guitar pedal. Just a pot after the line output, stick it in a Hammond case, put guitarix on it and rock on.

Wolfson Audio Card for Raspberry Pi
Wolfson Audio Card for Raspberry Pi

Wolfson Audio Card for Raspberry Pi

LAC2014: submission accepted!

My submission for the Linux Sound Night at LAC2014 with The Infinite Repeat has been accepted. The Call for Papers page mentions the term “danceable” so I’m going to focus on that. Making danceable music is quite a challenge for me but it should definitely be doable to produce a solid set, especially now that I’m the proud owner of a Korg Volca Keys. I’m definitely going to integrate it in my current setup as the Volca reacts great on MIDI sent from my workstation. It has some fat sounds that just scream dance floor.


Korga Volca Keys

I’m really looking forward to this year’s LAC. It seems falkTX and avlinux are going too, it’d be great to meet these guys in real life!

LAC2014: submission accepted!

LV2 gaining momentum

The number of new LV2 plugins being released is steadily growing. The last couple of months at least the following LV2 plugins have been released:

  • Bitrot (a set of LV2 and LADSPA plugins for glitch effects)
  • beatslash-lv2 (a set of plugins for live beat repeating and beat slicing)
  • deteriorate-lv2 (a set of plugins to deteriorate the sound quality of live inputs)
  • midimsg-lv2 (a set of plugins to transform midi output into usable values to control other plugins)
  • QmidiArp (LV2 plugins of the three QMidiArp modules)
  • x42-plugins (collection of LV2 plugins: tuner, oscillator, x-fader, audio-level meters, midi filters etc.)
  • BLOP-LV2 (port of the LADSPA BLOP plugins)

Haven’t tried them all of them yet but the ones I did try (the QmidiArp modules as plugins and some of the x42 plugins) proved to be very promising. Besides new plugins being released work continues on a great number of plugins, the LV2 framework itself and on tools facilitating in the creation or building of LV2 plugins. Especially falkTX is in the vanguard with his current work on getting his Carla plugin host to work as a LV2 plugin. This would open up a lot of possibilities like using it in hosts that don’t support all plugin frameworks (think Ardour and DSSI support). In the meanwhile the guitarix team continues to add great LV2 plugins to their ever growing collection and Dave Robillard, the main author of LV2, doesn’t sit still either with releasing updated versions of the building blocks that form the LV2 framework.

LV2 gaining momentum

Bitwig Studio to be released

The 26th of March Bitwig Studio will be released. From the Bitwig Studio site:

Bitwig Studio is a multi-platform music-creation system for production, remixing and performance with a focus on flexible editing tools and a super-fast workflow.

It’s being developed by folks who have worked on Ableton Live and it will also be available for Linux. It’s a cross-platform DAW which means that for the GUI a platform agnostic framework has been used. In the case of Bitwig Studio the chosen framework is most probably Java which raised some eyebrows within the Linux Audio community. The price of the upcoming product met some scepticism too as it ends up higher than initially announced. Add to this that there’s barely any support for plugins (except native Linux VST) and you’ll understand that this upcoming release has fueled a discussion or two.

I haven’t seen anything yet of Bitwig Studio so I can’t judge the quality, workflow or usability of the product. I’ve registered for a beta testing account two years ago and didn’t hear anything from the Bitwig folks until recently so to be honest I completely lost interest in the product in the meanwhile.

Really, the people from Tracktion do it a lot better in that regard I think, it’s cheaper, they communicate more and it’s based on a cross-platform toolkit that has more credibility (Juce). But you never know, maybe I’ll get blown away when I get my hands on Bitwig Studio. You’ll be the first to hear.

Bitwig Studio to be released

A week without a Mac

Got my new workstation last week. Ultimately I decided to opt for a Dell notebook system with Linux pre-installed. So that left me only one single option: the XPS 13 Developer Edition, aka Sputnik 3. After having worked with it for a week I can only say I’m very, very happy with it. Unboxing it was a joy in itself, unwrapping the amazingly sleek machine and booting it for the first time. The XPS 13 comes with Ubuntu 12.04 LTS pre-installed which is just fine for me, especially given the fact that everything seems to work flawlessly so far. I haven’t rebooted it for days for example, suspending it works brilliantly and when I open the lid the device wakes up instantly, even after having it closed for days. And even though it has an i7 CPU it can run for hours on a full battery. The touch screen is a nice bonus but I haven’t really made use of it yet, it could be quite cool for live perfomances though. I’ve tested the touch screen with seq24 and it’s quite awesome to be able to trigger sequences by pressing the sequences on your screen.

Dell XPS 13 Developer Edition

I did try a fresh install but it would take me a bit too much time to get everything working properly so in the end I opted for sticking with the default install and install the Lubuntu desktop on top of it. And the default install doesn’t get in the way so I’m all set. I’m now looking for a nice keyboard and mouse to pair with the notebook, I’d greatly appreciate any suggestions. I had already ordered a Logitech K290 but I’m sending it back because it has the function keys swapped with the media keys and I just can’t work with that. Switching tty’s with Fn+Ctrl+F[:digit:] is just impossible to do with that keyboard. I could’ve tried swapping the keys but I’ve already filled in the RMA form and repacked the keyboard so it’s going back.

Next up is configuring it for making music. I’m thinking about purchasing a new USB audio interface, preferably USB2.0, that matches well with this machine. Suggestions are very welcome. I’ve looked at the Focusrite Scarlett 2i4 but a recent thread on LAU raised some doubts. We’ll see, it’s something for later, for now I’m extremely happy with my new work horse.

A week without a Mac

Resolved JACK issues on notebook

Finally got around troubleshooting the issues I was facing with JACK on my notebook, a BTO that is actually a Clevo W170ER. Somehow I couldn’t go lower than -p128 with USB audio interfaces. When I thought I had tried every option, even disabling hyperthreading, I noticed two unidentified entries in my lsusb output:

Bus 001 Device 003: ID 8087:07da Intel Corp. 
Bus 002 Device 003: ID 5986:0401 Acer, Inc

The first entry is a Bluetooth adapter and the second entry is a webcam. Both devices are unnecessary when making music so I thought, why not unbind them. First I had to figure out their respective bus ID’s:

$ tree /sys/bus/usb/drivers/usb
/sys/bus/usb/drivers/usb
??? 1-1 -> ../../../../devices/pci0000:00/0000:00:1a.0/usb1/1-1
??? 1-1.3 -> ../../../../devices/pci0000:00/0000:00:1a.0/usb1/1-1/1-1.3
??? 2-1 -> ../../../../devices/pci0000:00/0000:00:1d.0/usb2/2-1
??? 2-1.6 -> ../../../../devices/pci0000:00/0000:00:1d.0/usb2/2-1/2-1.6
??? bind
??? uevent
??? unbind
??? usb1 -> ../../../../devices/pci0000:00/0000:00:1a.0/usb1
??? usb2 -> ../../../../devices/pci0000:00/0000:00:1d.0/usb2
??? usb3 -> ../../../../devices/pci0000:00/0000:00:14.0/usb3
??? usb4 -> ../../../../devices/pci0000:00/0000:00:14.0/usb4

Since the Bluetooth adapter sits on bus 1 and the webcam on bus two their respective ID’s should be 1-1 and 2-1. So I echoed the ID’s to the unbind file in the same directory:

$ echo -n "1-1" | sudo tee /sys/bus/usb/drivers/usb/unbind
$ echo -n "2-1" | sudo tee /sys/bus/usb/drivers/usb/unbind

Good riddance:

$ lsusb
Bus 001 Device 002: ID 8087:0024 Intel Corp. Integrated Rate Matching Hub
Bus 002 Device 002: ID 8087:0024 Intel Corp. Integrated Rate Matching Hub
Bus 001 Device 001: ID 1d6b:0002 Linux Foundation 2.0 root hub
Bus 002 Device 001: ID 1d6b:0002 Linux Foundation 2.0 root hub
Bus 003 Device 001: ID 1d6b:0002 Linux Foundation 2.0 root hub
Bus 004 Device 001: ID 1d6b:0003 Linux Foundation 3.0 root hub

Then I started JACK again with -p64 using an USB audio interface connected to bus 3 (so no rate matching hub in between) and no more xruns, not even with a generic kernel and using WiFi and all. Next hurdle is the onboard sound. Below -p128 I get bursts of massive xruns and so far I didn’t manage to pinpoint the culprit.

Edit #1: I’ve found out that the Bluetooth adapter is the main bottleneck. Also, by echoing the aformentioned ID’s (1-1 and 2-1) you disable the whole USB bus apparently. To disable just the USB device echo the last ID in the respective path names, so for the Bluetooth adapter that’s 1-1.3 and for the webcam 2-1.6. This way you can still use the USB bus on which these devices are residing. In my case disabling the whole bus is not an option, this would mean I’d have to connect all my USB interfaces to bus 3 (bus 4 doesn’t have any external inputs) which could result in these devices getting in each other’s way with regard to bandwidth. After echoing the ID’s the output of the tree command looks like this:

$ tree /sys/bus/usb/drivers/usb
/sys/bus/usb/drivers/usb
??? 1-1 -> ../../../../devices/pci0000:00/0000:00:1a.0/usb1/1-1
??? 2-1 -> ../../../../devices/pci0000:00/0000:00:1d.0/usb2/2-1
??? bind
??? uevent
??? unbind
??? usb1 -> ../../../../devices/pci0000:00/0000:00:1a.0/usb1
??? usb2 -> ../../../../devices/pci0000:00/0000:00:1d.0/usb2
??? usb3 -> ../../../../devices/pci0000:00/0000:00:14.0/usb3
??? usb4 -> ../../../../devices/pci0000:00/0000:00:14.0/usb4

The lsusb command still shows the devices though.

Edit #2: unbinding drivers like described above won’t persist across reboots. If you’d like to make the unbinding persistent you could add the unbind command to /etc/rc.local or create a script that runs at login. There are other options of course like blacklisting the Bluetooth drivers.

Resolved JACK issues on notebook