Finally got an acoustic-electric

Last sunday I was like, I’m going to one of my favorite music stores and try me some acoustic-electric guitars. A good acoustic-electric guitar has been on my wishlist for like, ages. Of course I first checked on the site of the music store what they had to offer and at that moment I basically made a choice already because I had a hunch that the guitar of my choice would stand out because of its specs (hand-built, solid spruce top, mahogany neck, sapele sides and back). When I wandered into the music store and started checking out the acoustic-electrics the sales guy quickly approached me asking the inevitable question what I was looking for.

I told him my budget and he immediately picked the guitar I had checked out on the site. He handed it over to me and I was sold. The next one hour and a half were pure bliss, only tempered by a brief intermezzo with a Martin D-16GT which sounded like a cardboard box compared to the guitar I wanted. So I just bought it.


Eastman AC320CE


The AC320CE ships with a Fishman Matrix VT under-the-saddle pickup system which isn’t the best sounding solution but for the intended purpose of this guitar (using it on stage) it’s probably better than a solution that includes an internal mic. So no, I wasn’t blown away by the sound once it was plugged in but yesterday I bought a Fishman Aura Acoustic Imaging Pedal Concert preamp/DI for cheap so I should be covered. It’s actually an older model that can be upgraded to an Aura Sixteen.

aura_imaging_pedal

Fishman Aura Acoustic Imaging Pedal Concert


So I’m a happy camper. The guitar plays like a dream, sounds sublime unplugged and looks very good. I really like its neck which feels a lot like the one on my Sigma DR-41 (an old one, so not a recent, re-released Sigma). The tone is very well balanced, lows are well present and the highs just shimmer the way I like it. And normally I don’t really dig Venetian style bodies but the body of the Eastman is just very well proportioned. Awesome guitar. Oh yeah, I got 10% off the price, that always helps in making these kind of decisions.

Finally got an acoustic-electric

Living in a shell

Since I started working for my new employer the amount of time I’m spending inside a terminal window is rapidly increasing. And I like it. I’m learning more in a few months than I did in the past 5 years. I’m discovering superhandy commands and utilities that I had never used or even heard of before. Utilities like w, last and the various *stat utilities. And I’m becoming better and better in using utilities that I already know but that always remained hard to grasp simply because I didn’t use them extensively. Think of Vim, screen and sed. Or on a lower level, the Bash shell itself.

I’m particularly starting to develop a fondness for Vim. I’ve worked myself through a complete Vim book and when I finished it I was like, Vim is not arcane at all, it’s actually quite simple. It’s all about terseness, doing things in the fastest, most efficient way, memorizing the most important commands and forcing myself to use it for things I would normally do in say, gedit. So now I find myself easily copying whole blocks of text, commenting and uncommenting multiple lines with just a few keystrokes, using markers and buffers and browsing faster through files than possible with a mouse.

Currently I’m reading a book on Bash and it already provided me with a lot of new insights and ideas that I could use in my daily work. My scripting skills are a bit feeble so hopefully this book will help me to improve these. Luckily I have great colleagues that are very knowledgeable when it come to things like Bash and Vim so I’m coming along just fine. But I want to be able to purge a Sendmail mail queue filled with spam like I saw one of my colleagues do recently. What he did on top of his head was just amazing:

for i in `ls | grep qfr`; do w=`grep example.org $i | wc -l`; if [ "$w" != "0" ]; 
then echo $i | sed -e 's/^qfr//'; fi;  done | sed -e 's/^/*/' | xargs -n 50000;

This allowed him to create a list of all spam messages which he simply ran through rm. It’s no rocket science but I’d really like to be that proficient too. Another colleague of mine is just awesome with regular expressions and Vi. For example, I recently asked him how I could delete all text between parentheses including the parentheses, for example a list of packages I copied from /var/log/apt/history.log, and he immediately replied %s/([^)]*)//g. Yes, I’m blessed that I can work in such an inspiring environment.

Living in a shell

A month on a Mac

During the second job interview with my new employer I was asked if I’d like to use a Mac or a Windows PC with the assurance I’d get a Linux workstation after my probation time. Just put me behind a Mac then, that’s closer to Linux than Windows and from what I recalled it comes with a native terminal that does SSH. And what do I need more?

So there I am in front of a big, glossy screen and a tiny keyboard that lacks some familiar keys. My findings so far? Kind of neutral. I’ve got my terminal and I can run SSH from the CLI so I’m happy. There are some quirks that annoy me though (in no particular order):

  • No Compose key and I had to jump through quite some hoops to map a key as a Compose key.
  • No easy way to map a keyboard shortcut for opening a terminal. I had to resort to something called ‘Automator’ to get it working. And it still doesn’t work the way I want too. When there are no windows open pressing the shortcut doesn’t do anything. When there are open windows it works but why does it open two terminals when pressing the shortcut for the first time? Not a real big deal as I need multiple terminals anyway (I just can’t get used to tabbed terminals).
  • I prefer non-glare monitors to glossy ones.
  • No Home, End, PageDown and PageUp keys. Not a real big deal either, in fact, it’s a real good incentive to start getting accustomed to Vi(m) shortcuts since I kind of live inside Vim these days. I even bought this, great stuff.
  • Can’t get used to the default window management settings. For instance when you minimize a window and Alt+Tab to it the window doesn’t open. So I’m not minimizing any windows anymore since this is really annoying. Haven’t looked into changing this behaviour though, it’s probably something relatively simple.
  • Annoying pop-ups from updates and programs that are downloaded from the internet (“blabla” is an application downloaded from the Internet. Are you sure you want to open it?). Especially the latter ones are annoying. Disabling the pop-ups has to be done from a terminal. Wow, so much for a “user-friendly” OS.
  • Clicking the close button of an application doesn’t quit it. Cmd+Q does. This is something I won’t get used to either. Actually I don’t want to get used to the Cmd button at all.
  • I prefer a panel with a window list on it. I don’t know how other folks do it but this Alt+Tab stuff is counter-efficient in my case.

Are there things I particularly like about Mac OS X or the Mac itself? Actually no, can’t think of anything. Yeah, the keyboard feel is really nice but that pro gets nulled out because of the missing keys, ~ being placed next to the left Shift key and the Fn keys being mapped to the F1/F12 keys. Add to this the meaningless keys with all kinds of arrows on them and this key with a crossed square. No idea what they do. On a software level MacPorts is nice, it allowed me to install some of my favorite tools that I found were missing. Other than that I can’t wait to have my own workstation with Linux on it. The plan is that I get a Dell XPS 15 with a dual monitor setup. Something to look forward to.

And yes, I have to deal with quite some Windows servers now. I’m not going to dedicate a blogpost to my findings on that OS. Just one word. Meh.

A month on a Mac

Jack2 on Android

This mail just popped up on jack-devel:

Hello, I have news of JACK2 in android world!

Recently, Samsung released professional audio sdk on android platform which based on JACK2. It is a part of latest Samsung Mobile SDK: http://developer.samsung.com/samsung-mobile-sdk#professional-audio

Source code of JACK2 was retrieved from Samsung’s Open Source Release Center(OSRC) at http://opensource.samsung.com/. You can find current repository & more information at below link: https://github.com/KimJeongYeon/jack2_android

Additionally, SAMSUNG DEVELOPER CONFERENCE(October 28-29, 2013) will be held in San Francisco that one of sessions prepared to introduced professional audio on Samsung’s android mobile products: http://www.samsungdevcon.com/
Session : “Leveraging the Latest Features in Professional Audio Framework in Your App”

Thanks,
KimJeongYeon

Message says it all I guess. Apparently Samsung has developed a way to do pro audio on Android based on JACK Audio Connection Kit! Can’t wait to get my hands on this, stoked.

Jack2 on Android

Using a Raspberry Pi as a piano

Recently I posted about my successful attempt to get LinuxSampler running on the Raspberry Pi. I’ve taken this a bit further and produced a script that turns the Raspberry Pi into a fully fledged piano. Don’t expect miracles, the sample library I used is good quality so the RPi might choke on it every now and then with regard to disk IO. But it’s usable if you don’t play too many notes at once or make extensive use of a sustain pedal. I’ve tested the script with a Class 4 SD though so a faster SD card could improve stability.

Edit: finally got around buying a better SD card and the difference is huge! I bought a SanDisk Extreme Class 10 SD card and with this SD card I can run LinuxSampler at lower latencies and I can play more notes at once.

Before you can run the script on your Raspberry Pi you will need to tweak your Raspbian installation so you can do low latency audio. How to achieve this is all described in the Raspberry Pi wiki article I’ve put up on wiki.linuxaudio.org. After you’ve set up your RPi you will need to install JACK and LinuxSampler with sudo apt-get install jackd1 linuxsampler. Next step is to get the Salamander Grand Piano sample pack on your RPi:

cd
mkdir LinuxSampler
cd LinuxSampler
wget -c http://download.linuxaudio.org/lau/SalamanderGrandPianoV2
/SalamanderGrandPianoV2_44.1khz16bit.tar.bz2
wget -c http://dl.dropbox.com/u/16547648/sgp44.1khz_V2toV3.tar.bz2
tar jxvf SalamanderGrandPianoV2/SalamanderGrandPianoV2_44.1khz16bit.tar.bz2
tar jxvf sgp44.1khz_V2toV3.tar.bz2 -C SalamanderGrandPianoV2_44.1khz16bit
--strip-components=1

Please note that decompressing the tarballs on the RPi could take some time. Now that you’ve set up the Salamander Grand Piano sample library you can download the script and the LinuxSampler config file:

cd
mkdir bin
wget -c https://raw.github.com/AutoStatic/scripts/rpi/piano -O /home/pi/bin/piano
chmod +x bin/piano
wget -c https://raw.github.com/AutoStatic/configs/rpi/home/pi/LinuxSampler
/SalamanderGrandPianoV3.lscp -O
/home/pi/LinuxSampler/SalamanderGrandPianoV3.lscp

Almost there. We’ve installed the necessary software and downloaded the sample library, LinuxSampler config and piano script. Now we need to dot the i’s and cross the t’s because the script assumes some defaults that might be different in your setup. Let’s dissect the script:

#!/bin/bash

if ! pidof jackd &> /dev/null
then
  sudo killall ifplugd &> /dev/null
  sudo killall dhclient-bin &> /dev/null
  sudo service ntp stop &> /dev/null
  sudo service triggerhappy stop &> /dev/null
  sudo service ifplugd stop &> /dev/null
  sudo service dbus stop &> /dev/null
  sudo killall console-kit-daemon &> /dev/null
  sudo killall polkitd &> /dev/null
  killall gvfsd &> /dev/null
  killall dbus-daemon &> /dev/null
  killall dbus-launch &> /dev/null
  sudo mount -o remount,size=128M /dev/shm &> /dev/null
  echo -n performance
| sudo tee /sys/devices/system/cpu/cpu0/cpufreq/scaling_governor &> /dev/null
  if ip addr | grep wlan &> /dev/null
  then
    echo -n "1-1.1:1.0" | sudo tee /sys/bus/usb/drivers/smsc95xx/unbind &> /dev/null
  fi
  jackd -P84 -p128 -t2000 -d alsa -dhw:UA25 -p512 -n2 -r44100 -s -P -Xseq
&> /dev/null &
fi

This is the first section of the script. An if clause that checks if JACK is already running and if that’s not the case the system gets set up for low latency use, a simple check is done if there is an active WiFi adapter and if so the ethernet interface is disabled and then on the last line JACK is invoked. Notice the ALSA name used, hw:UA25, this could be different on your RPi, you can check with aplay -l.

jack_wait -w &> /dev/null

jack_wait is a simple app that does nothing else but checking if JACK is active, the -w option means to wait for JACK to become active.

if ! pidof linuxsampler &> /dev/null
then
  linuxsampler --instruments-db-location $HOME/LinuxSampler/instruments.db
&> /dev/null &
  sleep 5
netcat -q 3 localhost 8888
< $HOME/LinuxSampler/SalamanderGrandPianoV3.lscp &> /dev/null &
fi

This stanza checks if LinuxSampler is running, if not LinuxSampler is started and 5 seconds later the config file is pushed to the LinuxSampler backend with the help of netcat.

while [ "$STATUS" != "100" ]
do
  STATUS=$(echo "GET CHANNEL INFO 0" | netcat -q 3 localhost 8888
| grep INSTRUMENT_STATUS | cut -d " " -f 2 | tr -d 'rn')
done

A simple while loop that checks the load status of LinuxSampler. When the load status has reached 100% the script will move on.

jack_connect LinuxSampler:0 system:playback_1 &> /dev/null
jack_connect LinuxSampler:1 system:playback_2 &> /dev/null
#jack_connect alsa_pcm:MPK-mini/midi_capture_1 LinuxSampler:midi_in_0 &> /dev/null
jack_connect alsa_pcm:USB-Keystation-61es/midi_capture_1 LinuxSampler:midi_in_0
&> /dev/null

This part sets up the necessary JACK connections. The portnames of the MIDI devices can be different on your system, you can look them up with jack_lsp which will list all available JACK ports.

jack_midiseq Sequencer 176400 0 69 20000 22050 57 20000 44100 64 20000 66150 67 20000 &
sleep 4
jack_connect Sequencer:out LinuxSampler:midi_in_0
sleep 3.5
jack_disconnect Sequencer:out LinuxSampler:midi_in_0
killall jack_midiseq

This is the notification part of the script that will play four notes. It’s based on jack_midiseq, another JACK example tool that does nothing more but looping a sequence of notes. It’s an undocumented utility so I’ll explain how it is invoked:

jack_midiseq

<command> <JACK port name> <loop length> <start value> <MIDI note value> <length value>

Example:
jack_midiseq Sequencer 176400 0 69 20000 22050 57 20000 44100 64 20000 66150 67 20000

JACK port name: Sequencer
Loop length: 4 seconds at 44.1 KHz (176400/44100)
Start value of first note: 0
MIDI note value of first note: 69 (A4)
Length value: 20000 samples, so that's almost half a second
Start value of second note: 22050 (so half a second after the first note)
MIDI note value of second note: 57 (A3)
Length value: 20000 samples
Start value of third note: 44100 (so a second after the first note)
MIDI note value of second note: 64 (E4)
Length value: 20000 samples
Start value of third note: 66150 (so one second and a half after the first note)
MIDI note value of second note: 67 (G4)
Length value: 20000 samples

Now the script is finished, the last line calls exit with a status value of 0 which means the script was run successfully.

exit 0

After making the script executable with chmod +x ~/bin/piano and running it you can start playing piano with your Raspberry Pi! Again, bear in mind that the RPi is not made for this specific purpose so it could happen that audio starts to stutter every now and then, especially when you play busy parts or play more than 4 notes at once.


Using a Raspberry Pi as a piano: quick demo

Using a Raspberry Pi as a piano

Raspberry Jam Review

Last Thursday the first Dutch Raspberry Jam took place at the Ordina HQ in Nieuwegein. I offered to do a presentation slash demonstration about realtime audio and the the Raspberry Pi so I promised myself to be there at least an hour before the scheduled starting time of my demo. That way I could also join Gert van Loo‘s presentation. When I arrived at 19:15 there was no Gert van Loo though so that should’ve triggered some alarms. Also I didn’t look out for members of the organization as soon as I came in. Instead I chose to dot the i’s and cross the t’s with regards to my demo.

Wrong decision.

About half an hour later the event was closed.

WTF?

I approached the person who closed the event and introduced myself. He replied that they thought I wasn’t coming anymore. Apparently they misinterpreted my e-mail I sent earlier that day that I didn’t manage to produce something workable for the laser show guy. They took it for a cancellation. But immediately the event got kind of reopened and I set up my stuff. We had some audio issues but in the end everything went quite well actually. I showed off what is possible with a Raspberry Pi and realtime audio with the use of some of my favorite software. Guitarix featured of course. I grabbed my guitar, fired up guitarix on the RPi and played some stuff. Hooked up my MIDI foot controller and showed how to select different presets. I also demonstrated the use of the RPi as a piano with the help of LinuxSampler and the awesome Salamander Grand Piano samplepack and did some drumming by using drumkv1. Before the realtime audio demo I presented an overview of the Linux audio ecosystem and talked about the alternatives of how to get sound in and out of your Raspberry Pi. These alternatives are not bound to the onboard sound and USB, since recently it is also possible to hook up an external audio codec to the I2S bus of the Raspberry Pi. I got one in myself this week, a MikroElektronika Audio Codec PROTO board based on the WM8731 codec, so more on that soon. It’d be awesome if I can get that codec to work reliably at lower latencies.

So it all turned out well, I had a great time doing my presentation and judging by the interest shown by some attendants who came up to me after the presentation I hope I got some more people enthusiastic about doing realtime audio with the Raspberry Pi and Linux. So thanks Ordina for offering this opportunity and thanks everyone who stuck around!

Raspberry Jam Review

Exit BeagleBone Black, hello Cubieboard2!

Put up my BeagleBone Black for sale. It was gathering dust, somehow this board doesn’t appeal to me. Biggest drawback is that it seems to be very picky with power adapters. If you don’t use a linear power adapter USB devices might not work properly. And that was exactly the issue I was facing, I just couldn’t get my USB audio interfaces to work on the BBB. So I lost interest because well, that’s what I bought the device for, to get sound out of it with the help of an USB audio interface. Add to this that there is no realtime kernel or RT patchset available for the BBB and that the BBB is quite a complex little device (it’s actually a REAL dev board). It would’ve cost me too much time to completely fathom it. No bad feelings though, the BBB is a very nice product and it sure has the slickest looks of all ARM SoC dev boards around.

Also I got a Cubieboard2 in recently. And that board has absorbed me for the last week and a half. It’s quite easy to set up (not as easy as the RPi though), has a lot of IO (yes, it has audio in and out!) and it blows both the RPi and BBB away when it comes to performance with its dual core A20 Allwinner SoC that can easily be overclocked to 1.2 GHz. Alas, no realtime kernel or RT patchset either but hey, I managed to get a RT kernel running on a Rockchip RK3066 based device so I could at least give it a try. And it worked out well. I’m now running a 3.4.61-rt77 kernel on it with a custom Debian Wheezy installation. This time I used git to keep track of the modifications I made so it was a lot easier to create a usable diff. I also patched the driver for the onboard audio codec because the hardcoded defaults were just unusable for realtime audio. Minimum number of periods was 4 and minimum buffer size was 1024. Don’t ask me why. So I’ve changed these to 2 and 16 respectively and managed to get JACK running at a respectable -p64 -n2 -r44100. Fired up some JACK clients and this little monster keeps up very well. USB audio interfaces are no problem either, I can run my Edirol UA25 in Advanced mode with -p64 -n3 -r48000 without any hitch. This is probably because the Cubieboard2 doesn’t use a Synopsys DesignWare OTG controller with out-of-tree dwc_otg drivers like the RPi but a better supported USB controller. At the moment the Cubieboard2 is the nicest ARM dev board I have laid my hands on so far.


text-align: center;

Cubieboard2

RT patchset 3.4.61-rt77 for linux-sunxi, sunxi-3.4 branch

Low latency defaults patch for sunxi-codec driver

Exit BeagleBone Black, hello Cubieboard2!

First Dutch Raspberry Jam

The first Dutch Raspberry Jam will take place on Thursday September 26 at the Ordina HQ in Nieuwegein. I’ve offered to do a presentation about doing real-time audio with the Raspberry Pi which has been accepted. Internet visibility of this event is minimal at the moment though, let’s hope it caches on.

So expect a presentation/demo about using your Raspberry Pi as a sequencer, synthesizer, sampler or virtual guitar amp. I will show how to configure, tweak and tune your RPi for real-time, low-latency audio and what the possibilities of such a set-up are. I’ll probably do a live demo too of some tracks generated by one or more RPi’s

Ordina Raspberry Jam

Raspberry Pi Playlist @ AutoStatic’s YouTube channel

First Dutch Raspberry Jam

Employed!

Got a new job! The 16th of September I’m starting at Cyso, a top-notch hosting provider. Located in Alkmaar, very close to the place I’ve worked for the last two years. It all went very fast, less than 3 weeks. Didn’t expect to find a new job that suits me so quickly. This will be a huge step forward for me and I’m very happy and grateful the people at Cyso offered me this opportunity.

Employed!

Workshops Music Production with Open Source Software: Introduction and Basic Principles

This Saturday my series of workshops about music production with open source software will kick off. The first workshop will be an introduction to the open source ecosystem and attendees will get acquainted with some basic Linux audio principles; different work-flows (monolithic vs modular), ALSA/JACK/PulseAudio, most used and most useful applications and maybe a bit about plug-in frameworks (LADSPA/DSSI/LV2/VST). I will also outline the content of the following workshops and this workshop is a gauge to see if there is enough interest. So people should show up in considerate numbers because I’m not going to invest another 5 Saturday afternoons for just a few people. After all, I’m doing this for free (as in beer).

Announcement on the site of De Bakkerij

Facebook event

Workshops Music Production with Open Source Software: Introduction and Basic Principles